Opera is about voices, not bodies. It is an art of long-distance perceptions: only a small portion of the audience is close to the stage, and TV or film distorts the medium entirely. Yet some opera house directors and managers (who cannot tell a good voice from a mediocre one) focus instead on an easier criterion—namely, who looks fat onstage and who looks thin.

The Met soprano Ruth Ann Swenson recently complained that she is underemployed because she is not “skinny enough” for Met general director Peter Gelb, who in his previous job as head of Sony Classical was guilty of promoting the ghastly, shrieking British “crossover” singer Charlotte Church.

Read the rest of Benjamin Ivry's short comment, titled "Size Doesn't Matter," in Commentary magazine's blog, contentions. Sieglinde's glad other so-called 'traditionalists' in the net are giving thought to similar issues.