Latest word from Irminsul
Khaleem, opera maven and part-time sleuth, awoke Sieglinde early this morning with depressing news. Amidst the thick program notes for this weekend's BSO concerts, he and his cohorts found the jarring announcement, half-hidden in Renée Fleming's bio:
If you haven't dropped your laptop yet in utter despair and aren't wailing in the hallways or else searching for an instrument sharp enough to cut flesh, let me explain: Tatiana = wait, where's the Norma = Norma dropped? = Norma f*ckin dropped! = ok now proceed to searching for the sharp instrument.This August at Tanglewood, Ms. Fleming will sing the role of Tatiana opposite Ramón Vargas's Lensky and Peter Mattei's Onegin in a concert performance of Tchaikovsky's Eugene Onegin with James Levine conducting the Tanglewood Music Center Orchestra.
We at Sieglinde's Diaries are hoping that she's only postponing the Norma, as she masterfully did with the Violetta earlier in her career. We've been following this thread from the very beginning, and wouldn't it just suck turnips if it all ended as a footnote. Yes, anyone who dares assume the role of Norma will be automatically filleted (Callas included, if she were to rise from the dead today); but Renée Fleming, we (still) believe, is the one artist that could triumph in the role amidst utmost expectations. However, she's also a cautious artist, unwilling to commit if she's not confident of victory. Bummer, huh.
Our vigil for the Fleming Norma recommences.